Sound Requirements
VOCAL REQUIREMENTS -Dynamic unidirectional microphone (Shure SM-58 or comparable/better) -Microphone stand with boom extension (tripod preferred) -XLR cable(s) (aka Mic Cable) long enough to run to sound board
MONITOR REQUIREMENTS -12" (minimum) speaker(s) (one speaker minimum) -Power cable for speaker (if necessary) -XLR or 1/4" cable(s) long enough to run to sound board
-AC power (GROUNDED) with extension cord (6 outlets preferred, 3 minimum)
VOCAL REQUIREMENTS -Dynamic unidirectional microphone (Shure SM-58 or comparable/better) -Microphone stand with boom extension (tripod preferred) -XLR cable(s) long enough to run to sound board
MONITOR REQUIREMENTS -12" (minimum) speaker(s) (one speaker minimum) -Power cable for speaker (if necessary) -XLR or 1/4" cable(s) long enough to run to sound board
Jason Yates (drums) - Center stage (rear)
MONITOR REQUIREMENTS -12" (minimum) speaker (one speaker minimum) -Power cable for speaker (if necessary) -XLR or 1/4" cable(s) long enough to run to sound board
-Bass drum microphone stand with boom extension
-Direct Box (DI) (Livewire or comparable/better) (for our ipod) -XLR cable long enough to connect DI to mixer -AC power (GROUNDED) with extension cord (6 outlets preferred, 3 minimum)
MIXING CONSOLE REQUIREMENTS
-13 channels needed (8 minimum - see stage plot input list)
-3 individual monitor mixes (preferred - 2 minimum)
-Should include a 4 band (3 minimum) fully parametric EQ Independent
-Professional sound engineer to run house
-Venue must provide an experienced sound engineer capable of mixing a full band. It is of the utmost importance that the system is staffed by persons highly familiar with the system to assist the band's technical staff. Contact information should be provided as soon as possible.